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Bloom’s Modern Critical Interpretations William Shakespeare’s
Hamlet
New Edition
Edited and with an introduction by
Harold Bloom
Sterling Professor of the Humanities Yale University
Bloom’s Modern Critical Interpretations:
William Shakespeare’s Hamlet—New Edition Copyright © 2009 by Infobase Publishing Introduction © 2009 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare’s Hamlet / edited and with an introduction by Harold Bloom. —New ed. p. cm.—(Bloom’s modern critical interpretations) Includes bibliographical references and index. ISBN 978-1-60413-632-6 (acid-free paper) 1. Shakespeare, William, 1564–1616. Hamlet. 2. Hamlet (Legendary character) I. Bloom, Harold. II. Title: Hamlet. PR2807.W456 2009 822.3’3—dc22 2009018234 Bloom’s Literary Criticism books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Bloom’s Literary Criticism on the World Wide Web at http://www.chelseahouse.com. Cover design by Alicia Post Printed in the United States of America MP BCL 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. All links and Web addresses were checked and verified to be correct at the time of publication. Because of the dynamic nature of the Web, some addresses and links may have changed since publication and may no longer be valid.
Contents
Editor’s Note
vii
Introduction 1 Harold Bloom Hamlet’s Northern Lineage: Masculinity, Climate, and the Mechanician in Early Modern Britain Daryl W. Palmer Eating Air, Feeling Smells: Hamlet ’s Theory of Performance Carolyn Sale
33
Staging N