E-Book Overview
When Thomas Pynchon's novel Mason & Dixon was published in 1997, it marked a deep shift in Pynchon's career and in American letters in general. All of Pynchon's novels had been socially and politically aware: V., The Crying of Lot 49, Gravity's Rainbow, and Vineland are all marked by social criticism and a profound questioning of American values. They have carried the labels of satire and black humor; "Pynchonesque" has come to be associated with erudition, a playful style, anachronisms and puns - and an interest in scientific theories, popular culture, paranoia, and the "military-industrial complex," which may or may not, according to Pynchon's wild and widely populated casts of characters, be the definitive feature of "America." In short, Pynchon's novels were the sine qua non of postmodernism. Mason & Dixon moved beyond postmodernism to use the same style, wit, and erudition to re-create an 18th century when "America" was being formed as both the place and the idea we have come to know. Pynchon's focus on the creation of the Mason-Dixon Line and the governmental and scientific entities responsible for it makes a clearer statement than any of his previous novels about the slavery and imperialism at the heart of the Enlightenment, and Mason & Dixon levels a dark and hilarious critique at this "America." The novel was a New York Times bestseller.This volume of new essays studies the interface between 18th- and 20th-century culture both in Pynchon's novel and in the historical past. It offers fresh thinking about Pynchon's work not only because it deals with his most recent novel, but also because the contributors take up the linkages between the 18th and 20th centuries in studies that are as concerned with culture as with the literary text itself.The scope of the volume is indicated by its four sections: "Time and the Rounds of History," about historiography and narrative temporality; "Consumption Then and Now," which deals with slavery, trade, and consumption; "Space and Power," which confronts the connections between "place" and imperial power in the 18th century; and "Enlightenment Microhistories," which studies in detail three specific 18th-century cultural incidents. Elizabeth Jane Wall Hinds is Professor and Chair of the English Department at SUNY Brockport. Her book Charles Brockden Brown and the Gendered Economics of Virtue was published in 1997.
E-Book Content
Back 9/7/05 (Inside)9:18 Flap AM
UofRPressHind.qxd
Page 1
Wrap
Back Cover
Spine
Edited by Elizabeth Jane Wall Hinds
Elizabeth Jane Wall Hinds is Professor and Chair of the English Department at SUNY Brockport. Her book Private Property: Charles Brockden Brown’s Gendered Economics of Virtue was published in 1997.
“This collection shows that Mason & Dixon has catapulted Pynchon squarely into the field of eighteenth-century literature, politics, and culture, and thus into the very heart of American Studies. After this collection, Pynchon no longer belongs only to scholars working on twentieth-century literature.The “historical turn” inaugurated by the collection shifts Pynchon scholarship into a new, exciting direction.” — Professor Hanjo Berressem, University of Cologne
Camden House 668 Mt. Hope Avenue Rochester, NY 14620-2731 and P.O. Box 9 Woodbridge, Suffolk IP12 3DF, UK www.camden-house.com or: www.boydellandbrewer.com
ISBN 1–57113–318–6 needed? (Bar code with ISBN above and partial ISBN/check sum below)
The Multiple Worlds of Pynchon’s Mason & Dixon
Contributors: Mitchum Huehls, Brian Thill, Colin A. Clarke, Pedro García-Caro, Dennis M. Lensing, Justin M. Scott Coe, Ian D. Copestake, Frank Palmeri.
Jacket images: Map: Library of Congress, Geography and Map Division. Hydra: John Flamsteed, Atlas Coelestis, 1729. Hydra, Crater, Corvus, Sextans,Virgo.