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The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which the Black Arts Movement’s poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement’s authors. The book also describes the role of the Black Arts Movement in reintroducing readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker, and Phillis Wheatley.
Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the writing and editing practices of its participants. Howard Rambsy II demonstrates how significant circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book goes on to examine other significant influences on the formation of Black Arts discourse, including such factors as an emerging nationalist ideology and figures such as John Coltrane and Malcolm X.
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The Black Arts Enterprise and the Production of African American Poetry
The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II
The University of Michigan Press • Ann Arbor
First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013
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No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett.
Dedicated to Donald Garcia, Maryemma Graham, Cynthia Spence, Mae G. Williams, and Jerry W. Ward Jr.
A Preface “We Will Change the World Before Your Eyes”
At some point during the late 1960s, black poetry reached a tipping point. No fewer than sixty anthologies featuring African American verse appeared between 1965 and 1976 alone. This ›ourishing of black poetry was Harlem Renaissance 2.0 and then some. A large number of African American poets enjoyed unprecedented popular and critical success—their images regularly appeared in magazines, their words were frequently published in periodicals, and their voices resonated alongside the sounds of jazz musicians and gospel choirs on albums. Their poetry and pronouncements were sometimes forceful, sometimes outrageous, and often infused with a militant, black nationalist ethos. “We are building publishing houses, and newspapers, and armies, and factories,” wrote Amiri Baraka. “We will change the world before your eyes.” An explanation of the forces that created an