Portrait Of Percy Grainger (eastman Studies In Music)

E-Book Overview

Percy Grainger (1882-1961) was a pianist, composer, ethnographer, essayist, and much more. The Australian-American musician aspired to the condition of a polymath, with strong interests in language, culture, ecology and technology. In an age of increasing specialisation Grainger held to a breathless all-roundedness.This book looks at the scrabbling diversity of Grainger's life through the eyes of others. Family and friends, pupils, musical associates and chance acquaintances recall their experiences of Percy Grainger from his boyhood in colonial Australia, through his conservatorium years in Germany, on to his early professional years in London, and further to the zenith of his career and then years of decline in the United States. In the final chapter, Grainger himself explains the driving passions of his life. Fifty illustrations, including architectural drawings, scores and machine plans, vividly depict the enthusiasms described in over ninety recollections of Grainger.A composer of over four hundred compositions and virtuoso performer in some three thousand concerts, Grainger left a large legacy. He was an important influence upon the folk-song movement in Britain, and, through such masterworks as Lincolnshire Posy, he was enduringly popular with the band movement in America. On a personal level, his development of the language of 'blue-eyed English' was stillborn, and his muscular style of pianism found few adherents among the next generation of performers. His frankly expressed views on sexual licence were also many decades ahead of their time. Today, however, Grainger the musician is again in the ascendant. His more innovative works are gaining a belated hearing, while his standards, such as Country Gardens, remain firm favorites. Malcolm Gillies and David Pear are co-editors of Grainger on Music and 'The All-Round Man': Selected Letters of Percy Grainger, 1914-1961

E-Book Content

PORTRAIT OF PERCY GRAINGER Eastman Studies in Music Ralph P. Locke, Senior Editor Eastman School of Music (ISSN 1071–9989) The Poetic Debussy: A Collection of His Song Texts and Selected Letters (Revised Second Edition) Edited by Margaret G. Cobb Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies Edited by Elizabeth West Marvin and Richard Hermann Music and the Occult: French Musical Philosophies, 1750–1950 Joscelyn Godwin “Wanderjahre of a Revolutionist” and Other Essays on American Music Arthur Farwell, edited by Thomas Stoner French Organ Music from the Revolution to Franck and Widor Edited by Lawrence Archbold and William J. Peterson Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563–1700 Michael Noone Analyzing Wagner’s Operas: Alfred Lorenz and German Nationalist Ideology Stephen McClatchie The Gardano Music Printing Firms, 1569–1611 Richard J. Agee “The Broadway Sound”: The Autobiography and Selected Essays of Robert Russell Bennett Edited by George J. Ferencz Theories of Fugue from the Age of Josquin to the Age of Bach Paul Mark Walker The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France Richard Freedman Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings (includes CD) Jonathan P.J. Stock Berlioz’s Semi-Operas: “Roméo et Juliette” and “La damnation de Faust” Daniel Albright Elliott Carter: Collected Essays and Lectures, 1937–1995 Edited by Jonathan W. Bernard “The Music of American Folk Song” and Selected Other Writings on American Folk Music Ruth Crawford Seeger Music Theory in Concept and Practice Edited by James M. Baker, David W. Beach, and Jonathan W. Bernard Portrait of Percy Grainger Malcolm Gillies and David Pear PORTRAIT OF PERCY GRAINGER Malcolm Gillies and David Pear University of Rochester
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