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This book explores the relationship between religion and the visual arts--and vice versa--within Christianity and other major religious traditions. It identifies and describes the main historical, theological, sociological and aesthetic dimensions of "religious" art, with particular attention to "popular" as well as "high" culture, and within societies of the developing world. It also attempts to locate, and predict, the forms and functions of such art in a changing contemporary context of obligation, modernity, secularism and fundamentalism
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‘WiseinsightsrelatingartandreligionrewardthereaderofGraham Howes’finework.Hisinterdisciplinaryintegritystemsfromadeeply rootedstudyofbothartandtheology,whichherevealsastwins.He exploressourcesofcreativityinavarietyofsuccessfulcollaborationsfrom FraAngelicoatSanMarcotoMooreatNorthampton,MatisseatVence, RothkoatHouston,andViola’svideosofThePassionsandTheMessenger. GrahamHoweshelpsusseehow“faithlivesfromtheparticular” incarnation,howconcreteprojectsmediatethetranscendent,andhowwe mayhopetoheartenreligionandarttoinspireandtoinformeachother.’ DouglasG.Adams,ProfessorofChristianity andtheArts,PacificSchoolofReligion ‘Longinvolved,internationally,inthestudyofvisualartsandreligion, GrahamHoweshasgivenusabookthatonlyhecouldhavewritten. Whileprovidingalucidoverviewofthemultipleconnectionsbetween visualartandreligiousbelief(or“thesacred”),healsosupplies fascinatingcasestudiesandattendstopertinenthistoricalandtheological developmentsuptothepresentmoment.ItishardtobelievethatHowes cancondensesomuchinsightandvaluableinformationintosucha relativelyshortbook.TheArtoftheSacredshouldnotbemissedbyanyone whowantstoexplorethetopicintelligently,orgetarealsenseofthe importance(andcomplexity)oftheissues.’ FrankBurchBrown,FrederickDoyleKershnerProfessorofReligion andtheArts,ChristianTheologicalSeminary,Indianapolis ‘Nowthatmanyvisitorstomuseumsandgallerieshavesolittleknowledge ofthereligioussubjectspaintedbyartistsinthepast,GrahamHowes’ bookissuperblywell-timed.Hisilluminatingintroductiontothe aestheticsofartandbeliefwillproveindispensable.Aboveall,hesucceeds inremindingusthatgreatartisessentiallyanactoffaith,Christianor otherwise.’ RichardCork,artcritic,historianandbroadcaster ‘JohnRuskinthrewdownthegauntletinModernPainters,yearsago: “Howfar[has]FineArt,inalloranyagesoftheworld,beenconducive tothereligiouslife.”Usingthisfamouschallengeashisstartingpoint, GrahamHowestakesusonamultidisciplinaryjourneythroughthe changingrelationshipbetweenaestheticandreligiousexperiencemainly intheWesternChurchtradition–thoughwithapplicationsbeyond –fromhistorical,arthistoricalandsociologicalperspectives,andwith theeyeofatrainedartist.Hewritesaboutaverycomplexwebofideas inarefreshinglyclearandno-nonsenseway.Moreover,hisselectionof illustrativecase-studies(amongthemthemid-Victorians,theclerical patronageofWalterHussey,theworkofMatisseandRothko,Violaand Gormley,and–formethemostfascinating–thepublic’sreactiontothe
‘SeeingSalvation’exhibitionatLondon’sNationalGalleryin)is bothimaginativeandapt.Iwilltreasureforalongtimehisdemolitionof fashionableassertionsabout‘thechurchasheritagecentre’.TheArtofthe Sacredisanexcellentintroductiontoasurprisinglytimelysubject.’ SirChristopherFrayling,Rector,RoyalCollegeofArt,London ‘GrahamHowesprovidesaneminentlycivilisedentryintotherange ofrelationships,historicalandcontempor