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THE CAMBRIDGE COMPANION TO MEDIEVAL FRENCH LITERATURE
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux, and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la rose, Villon’s Testament, Chre´tien de Troyes, Machaut, Christine de Pizan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition. is Professor of French at King’s College London. is a Professor of French at Princeton University.
SIMON GAUNT SARAH KAY
Both have published widely on French medieval literature, and are also co-editors of The Troubadours: an Introduction (Cambridge, 1999).
THE CAMBRIDGE COMPANION TO
MEDIEVAL FRENCH LITERATURE E DI T E D BY
SIMON GAUNT AND
SARAH KAY
CAMBRIDGE UNIVERSITY PRESS
Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sa˜o Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521679756 # Cambridge University Press 2008 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2008 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library ISBN ISBN
978-0-521-86175-5 hardback 978-0-521-67975-6 paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
CONTENTS
List of illustrations Notes on contributors Chronology
page vii ix xii
Introduction SIMON GAUNT AND SARAH KAY
WHAT IS A MEDIEVAL FRENCH TEXT?
PART I
1
21
The Old French Vulgate cycle 35
P E G G Y MC C R A C K E N
3
Le Roman de la rose 48
NOAH D. GUYNN
4
The Testament of Franc¸ois Villon ADRIAN ARMSTRONG
PART II
5
WHAT IS A MEDIEVAL FRENCH AUTHOR?
63 77
Chre´tien de Troyes MATILDA TOMARYN BRUCKNER
6
19
The Chanson de Roland JANE GILBERT
2
1
79
The Chaˆtelain de Couci SIMON GAUNT
95
v
CONTENTS
7 Guillaume de Machaut 109
DEBORAH MCGRADY
8 Christine de Pizan 123
MARILYNN DESMOND
PART III
WHAT IS THE VALUE OF GENRE FOR MEDIEVAL FRENCH LITERATURE?
137
9 Narrative genres 139
KEITH BUSBY
10 Lyric poetry of the later Middle Ages 153
JANE H. M. TAYLOR
11 Genre, parody, and spectacle 167
SARAH KAY
12 Theatre and theatricality 181
HELEN SOLTERER
PART IV
HOW CAN WE READ MEDIEVAL FRENCH LITERATURE HISTORICALLY?
195
13 Feudalism and kingship JAMES R. SIMPSON