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The 'Global South' has largely supplanted the 'Third World' in discussions of development studies, postcolonial studies, world literature and comparative literature respectively. The concept registers a new set of relationships between nations of the once colonized world as their connections to nations of the North diminish in significance. Such relationships register particularly clearly in contemporary cultural theory and literary production. The Global South and Literature explores the historical, cultural and literary applications of the term for twenty-first-century flows of transnational cultural influence, tracing their manifestations across the Global Southern traditions of Africa, Asia and Latin America. This collection of interdisciplinary contributions examines the origins, development and applications of this emergent term, employed at the nexus of the critical social sciences and developments in literary humanities and cultural studies. This book will be a key resource for students, graduates and researchers working in the field of postcolonial studies and world literature.
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T H E GLO B A L SO U T H A N D LI T E R AT U R E
“The Global South” has largely supplanted “the Third World” in discussions of development studies, postcolonial studies, world literature, and comparative literature. The concept registers a new set of relationships between nations of the once-colonized world as their connections to nations of the North diminish in significance. Such relationships register particularly clearly in contemporary cultural theory and literary production. The Global South and Literature explores the historical, cultural, and literary applications of the term for twenty-first-century flows of transnational cultural influence, tracing their manifestations across the Global Southern traditions of Africa, Asia, and Latin America. This collection of interdisciplinary contributions examines the origins, development, and applications of this emergent term, employed at the nexus of the critical social sciences and developments in literary humanities and cultural studies. This book will be a key resource for students, graduates, and researchers working in the fields of postcolonial studies and world literature. russell west-pavlov is Professor of Anglophone Literatures at the University of Tübingen and Research Associate at the University of Pretoria.
c amb r i d ge c r i ti c a l co n cep ts s eri es Cambridge Critical Concepts focuses on the important ideas animating twentiethand twenty-first-century literary studies. Each concept addressed in this series has had a profound impact on literary studies, as well as on other disciplines, and already has a substantial critical bibliography surrounding it. This new series captures the dynamic critical energies transmitted across twentieth and twenty-firstcentury literary landscapes: the concepts critics bring to reading, interpretation, and criticism. By addressing the origins, development, and application of these ideas, the books collate and clarify how these particular concepts have developed, while also featuring fresh insights and establishing new lines of inquiry. Cambridge Critical Concepts shifts the focus from period- or genre-based literary studies of a key term to the history and development of the terms themselves. Broad and detailed contributions cumulatively identify and investigate the various historical and cultural catalysts that made these critical concepts emerge as established twenty-first-century landmarks in the discipline. The level will be suitable for advanced undergraduates, graduates, and specialists, as well as to those teaching outside their own research areas, and will have cross-disciplinary relevance for subjects such as history and philosophy. Published Titles Time and Literature Edited by t h o m a s m . a l l e n Unive