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La Mer stands at the center of Debussy's achievement. Described by the composer as "a seascape without figures," it is arguably the greatest and most original French symphony. In this study, La Mer is considered in the context of Debussy's personal and musical development. Detailed discussion of performance styles draw on current recordings, and two analytical chapters trace the growth of ideas through the work. Studies of rhythm, motif and tonality show how Debussy generates "narratives" across the three movements.
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CAMBRIDGE
MUSIC
HANDBOOKS
Debussy: La mer
CAMBRIDGE MUSIC HANDBOOKS GENERAL EDITOR
Julian Rushton
Cambridge Music Handbooks provide accessible introductions to major musical works, written by the most informed commentators in the field. With the concert-goer, performer and student in mind, the books present essential information on the historical and musical context, the composition, and the performance and reception history of each work, or group of works, as well as critical discussion of the music.
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Debussy: La mer
Simon Trezise Lecturer in Music Trinity College, Dublin
CAMBRIDGE
UNIVERSITY PRESS
Published by the Press Syndicate of the University of Cambridge The Pitt Building, Trumpington Street, Cambridge CB2 1RP 40 West 20th Street, New York, NY 10011-4211, USA 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 1994 First published 1994 A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data Trezise, Simon. Debussy, La mer / Simon Trezise. p. cm. — (Cambridge music handbooks) Includes bibliographical references (pp. 104—5) and index. ISBN 0 521 44100 5 (hardback) - ISBN 0 521 44656 2 (paperback). 1. Debussy, Claude, 1862-1918. La mer. I. Title. II. Series. ML410.D28T7 1994 784.2 f1896-dc20 93-42789 CIP MN ISBN 0 521 44100 5 hardback ISBN 0 521 44656 2 paperback
Transferred to digital printing 2003
AH
For Debbie
Contents
Preface, acknowledgements, notes on editions and references, piano arrangements 1 Debussy: 1903-1905 Life Works
page ix
1 1 7
2 Genesis Composition Second thoughts
11 11 16
3 La mer in performance Early performances Post 1918: Paris Critical opinion Performance styles
19 19 24 24 26
4 The 'invisible sentiments of nature' Musical seas Impressionism Programme
32 32 35 37
5 Genre and style Genre Sources of La mer's musical style
45 45 48
VII
Contents 6 Design Formal structure Synopsis
51 51 53
7 Material and 'immaterial' music Rhythm and 'rhythmicised time' Motif and arabesque Tonality
75 76 82 86
8 Afterword
96
Notes
98
Select bibliography
104