Photography: A Very Short Introduction (very Short Introductions)

E-Book Overview

Photographs are an integral part of our daily lives, from sensationalist images in tabloid papers, to personal family snapshots, to the art photography displayed in galleries and sold through international art markets. In this thought-provoking exploration of the subject, Steve Edwards provides a clear, lively, and imaginative approach to the definition, importance, and meaning of photography. He combines a sense of its historical development with an analysis of its purpose and meaning within a wider cultural context. Edwards also discusses both well-known and more unusual photos, from the highly controversial Cottingley Fairies to Ansel Adams landscapes, and from the shocking and influential Eddie Adams image of a Vietcong suspect being executed to the portrait/performance art work of Cindy Sherman. Edwards interrogates the way we look and think about photographs, and considers such issues as truth and recording, objectivity and fine art, identity and memory.

E-Book Content

Photography: A Very Short Introduction Very Short Introductions are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide. The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes – a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology. Very Short Introductions available now: ANARCHISM Colin Ward ANCIENT EGYPT Ian Shaw ANCIENT PHILOSOPHY Julia Annas ANCIENT WARFARE Harry Sidebottom ANGLICANISM Mark Chapman THE ANGLO-SAXON AGE John Blair ANIMAL RIGHTS David DeGrazia ARCHAEOLOGY Paul Bahn ARCHITECTURE Andrew Ballantyne ARISTOTLE Jonathan Barnes ART HISTORY Dana Arnold ART THEORY Cynthia Freeland THE HISTORY OF ASTRONOMY Michael Hoskin Atheism Julian Baggini Augustine Henry Chadwick BARTHES Jonathan Culler THE BIBLE John Riches THE BRAIN Michael O’Shea BRITISH POLITICS Anthony Wright Buddha Michael Carrithers BUDDHISM Damien Keown BUDDHIST ETHICS Damien Keown CAPITALISM James Fulcher THE CELTS Barry Cunliffe CHOICE THEORY Michael Allingham CHRISTIAN ART Beth Williamson CHRISTIANITY Linda Woodhead CLASSICS Mary Beard and John Henderson CLAUSEWITZ Michael Howard THE COLD WAR Robert McMahon CONSCIOUSNESS Susan Blackmore CONTEMPORARY ART Julian Stallabrass Continental Philosophy Simon Critchley COSMOLOGY Peter Coles THE CRUSADES Christopher Tyerman CRYPTOGRAPHY Fred Piper and Sean Murphy DADA AND SURREALISM David Hopkins Darwin Jonathan Howard THE DEAD SEA SCROLLS Timothy Lim Democracy Bernard Crick DESCARTES Tom Sorell DESIGN John Heskett DINOSAURS David Norman DREAMING J. Allan Hobson DRUGS Leslie Iversen THE EARTH Martin Redfern EGYPTIAN MYTH Geraldine Pinch EIGHTEENTH-CENTURY BRITAIN Paul Langford THE ELEMENTS Philip Ball EMOTION Dylan Evans EMPIRE Stephen Howe ENGELS Terrell Carver Ethics Simon Blackburn The European Union John Pinder EVOLUTION Brian and Deborah Charlesworth FASCISM Kevin Passmore FEMINISM Margaret Walters FOSSILS Keith Thomson FOUCAULT Gary Gutting THE FRENCH REVOLUTION William Doyle FREE WILL Thomas Pink Freud Anthony Storr Galileo Stillman Drake Gandhi Bhikhu Parekh GLOBAL CATASTROPHES Bill McGuire GLOBALIZATION Manfred Steger GLOBAL WARMING Mark Maslin HABERMAS James Gordon Finlayson HEGEL Peter Singer HEIDEGGER Michael Inwood HIEROGLYPHS Penelope Wilson HINDUISM Kim Knott HISTORY John H. Arnold HOBBES Richard Tuck HUMAN EVOLUTION Bernard Wood HUME A. J. Ayer IDEOLOGY Michael Freeden Indian Philosophy Sue Hamilton Intelligence Ian J. Deary ISLAM Malise Ruthven JOURNALISM Ian Hargreaves JUDAISM Norman Solomon Jung Anthony Stevens KAFKA Ritchie Robertson KANT Roger Scruton KIERKEGAARD Patri
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