E-Book Overview
From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001).Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.
E-Book Content
The Philosophy of David Lynch The Philosophy of Popular Culture The books published in the Philosophy of Popular Culture series will illuminate and explore philosophical themes and ideas that occur in popular culture. The goal of this series is to demonstrate how philosophical inquiry has been reinvigorated by increased scholarly interest in the intersection of popular culture and philosophy, as well as to explore through philosophical analysis beloved modes of entertainment, such as movies, TV shows, and music. Philosophical concepts will be made accessible to the general reader through examples in popular culture. This series seeks to publish both established and emerging scholars who will engage a major area of popular culture for philosophical interpretation and examine the philosophical underpinnings of its themes. Eschewing ephemeral trends of philosophical and cultural theory, authors will establish and elaborate on connections between traditional philosophical ideas from important thinkers and the ever-expanding world of popular culture. Series Editor Mark T. Conard, Marymount Manhattan College, N.Y. Books in the Series The Philosophy of Stanley Kubrick, edited by Jerold J. Abrams Football and Philosophy, edited by Michael W. Austin Tennis and Philosophy, edited by David Baggett The Philosophy of the Coen Brothers, edited by Mark T. Conard The Philosophy of Film Noir, edited by Mark T. Conard The Philosophy of Martin Scorsese, edited by Mark T. Conard The Philosophy of Neo-Noir, edited by Mark T. Conard The Philosophy of Spike Lee, edited by Mark T. Conard The Philosophy of Horror, edited by Thomas Fahy The Philosophy of The X-Files, edited by Dean A. Kowalski Steven Spielberg and Philosophy, edited by Dean A. Kowalski The Philosophy of Charlie Kaufman, edited by David LaRocca The Philosophy of the Western, edited by Jennifer L. McMahon and B. Steve Csaki The Philosophy of Steven Soderbergh, edited by R. Barton Palmer and Steven M. Sanders The Philosophy of Science Fiction Film, edited by Steven M. Sanders The Philosophy of TV Noir, edited by Steven M. Sanders and Aeon J. Skoble Basketball and Philosophy, edited by Jerry L. Walls and Gregory Bassham Golf and Philosophy, edited by Andy Wible THE PHILOSOPHY OF DAVID LYNCH Edited by William J. Devlin and Shai Biderman THE UNIVERSITY PRESS OF KENTUCKY Copyright © 2011 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky Univers