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Lacan � a 3 CD Q - ai � � � 6 -.-. � � � L Steven Z. Levine Published in 2008 by I.B.Tauris & Co. Ltd 6 S alem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauri s . com In the United States and Canada distrib uted by Palgrave Macmillan, a division of St. Martin's Press, 175 Fifth Avenue , New York N Y 10010 C opyright © Steven Z. Levine, 2008 The right of Steven Z. Levine to be identified as the author of this work has b een ass erted by him in accordance with the Copyright, Des igns and Patents Act 1988. All rights res erved. Excep t for brief quotations in a revi ew, this book, or any part thereof, may not be rep roduced, stored in or introduced into a retrieval s y s tem, or transmitted, in any form or by any means , electronic, mech anical, p hotocopying, recording or otherwise, without the p rior written p e rmis sion of the p u b lisber. ISBN: 9781 84511 5487 A full CIP record for this book is avail able from the British Library A full CIP record for this book i s avail able from the Library of Congre s s Library of Congress catalog card : available Typeset in Egyptienne F by Dexter Haven Associates Ltd, London Page design by Chris Bromley printed and bound in the UK by T.J. International, Padstow. Cornwall. Contents Acknowledgements vii List of illustrations ix Foreword: Why Lacon? xi Chapter 1. The Do Vinci Code according to Freud Chapter 2. The Do Vinci Code according to Lacan Chapter 3. The Thing from another world Chapter 4. The lost object Chapter 5. What is a picture? Chapter 6. Representative of representation Chapter 7. Am I a woman or a man? Afterword: Enjoy! Suggested reading Index 141 57 131 Selected bibliography 31 135 137 67 111 91 15 Acknowledgements I am grateful to Susan Lawson for inviting me to write this book and for improving it with her keen e ditorial eye . I also want to thank my students and colleagues in the dep artment of History of Art and the C enter for Visual C ulture at B ryn Mawr College for tolerating my translation of their scholarship and convers ation into the Lacanian terms of the Imaginary, the Symbolic and the Real. Notable among them are David C ast, C hristiane Hertel , Homay King, K. Malcolm Richards, Lis a Saltzman and Isabelle Wallace, a s well as recent undergraduate and graduate seminar students OIl self portraiture and p sychoanalysis . The art historians Benjamin Bins tock, Bra dford C ollin s , Keith Moxey and Jack Spector gave me the opportunity to present or publish some of my thoughts on art and Lacan, as did the p sychoanalysts Heather C raige and D avid S charff, and members of the Phil adelphia Psychoanalytic Center. Patricia Gherovici and Jean Michel Rabate introduce d me to Philadelphia's vibrant Lacanian community. And in the background of many of my sentences lies the phenomenology of Michael Fried. My wife Susan Levine, practitioner of psychoanalysis , and my daughter Madeleine Levine , researcher in social psychology, were indispensable in the completion of this project. My parents Natalie and Reevan Levine opened the space of possibility, and it is in their name and with love that I dedicate this book. List of illustrations Figure 1. Marcel Duchamp, L. H. o. o. Q. , 1919 (1930 replica), p rivate collection. Photo credit: C ameraphoto Arte, Veni ce/Art Resource, NY. © 2007 Artists Rights So ciety, NY/ADAGP, Parisi Succes s