E-Book Overview
This guide examines the production and reception of poetry by a range of women writers - predominantly although not exclusively writing in English - from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe. Women's Poetry offers a thoroughgoing study of key texts, poets and issues, analysing commonalities and differences across a diverse range of writers, periods, and forms. The book is alert, throughout, to the diversity of women's poetry. Close readings of selected texts are combined with a discussion of key theories and critical practices, and students are encouraged to think about women's poetry in the light of debates about race, class, ethnicity, sexuality, and regional and national identity. The book opens with a chronology followed by a comprehensive Introduction which outlines various approaches to reading women's poetry. Five chapters follow and a Conclusion and appendix of useful resources close the book. Key Features*Wide-ranging and flexible in scope, giving detailed consideration to widely-taught poets, texts, periods and issues. *Introduces themes, questions and perspectives applicable to a more heterogeneous and less familiar range of writers.*Encourages informed discussion of the difficulties of defining a discrete genre of 'women's poetry'. *Offers valuable introductory and supplementary guidance for students.
E-Book Content
Edinburgh Critical Guides to Literature Series Editors: Martin Halliwell and Andy Mousley This series provides accessible yet provocative introductions to a wide range of literatures. The volumes will initiate and deepen the reader’s understanding of key literary movements, periods and genres, and consider debates that inform the past, present and future of literary study. Resources such as glossaries of key terms and details of archives and internet sites are also provided, making each volume a comprehensive critical guide. Gill WOMEN’S POETRY Jo Gill Edinburgh Critical Guides Key Features • Wide-ranging and flexible in scope, giving detailed consideration to widelytaught poets, texts, periods and issues • Introduces themes, questions and perspectives applicable to the work of other less familiar writers • Encourages informed discussion of the difficulties of defining a discrete genre of ‘women’s poetry’ • Offers valuable introductory and supplementary guidance for students Edinburgh Critical Guides Women’s Poetry offers a thoroughgoing study of key texts, poets and issues, analysing commonalities and differences across diverse writers, periods, and forms. The book is alert, throughout, to the diversity of women’s poetry. Close readings of selected texts are combined with a discussion of key theories and critical practices, and students are encouraged to think about women’s poetry in the light of debates about race, class, ethnicity, sexuality, and regional and national identity. The book opens with a chronology followed by a comprehensive Introduction which outlines various approaches to reading women’s poetry. Seven chapters follow, and a Conclusion and section of useful resources close the book. WOMEN’S POETRY This guide examines the production and reception of poetry by a range of women writers – predominantly although not exclusively writing in English – from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe. WOMEN’S POETRY Jo Gill Jo Gill is Lecturer in Twentieth-Century Literature at the University of Exeter. Edinburgh Edinburgh University Press 22 George Square Edinburgh EH8 9LF www.eup.ed.ac.uk ISBN 978 0 7486 2306 8 Cover design: Michael Chatfield Gill cover 2.indd 1 3285 349 30/3/07 15:44:22 362 320 281 301 2718<