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It has become a truism that the frozen optical diagram representation of vision is the worst possible picture of the way in which we visually interact with the environment. Even apart from our reaction to moving targets by pursuit movements, our visual behaviour can be said to be characterised by eye movements. We sample from our environment in a series of relatively brief fixations which move from one point to another in a series of extremely rapid jerks known as saccades. Many questions arising from this characteristic of vision are explored within this volume, including the question of how our visual world maintains its perceptual stability despite the drastic changes in input associated with these eye movements.
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THE ROLE OF EYE MOVEMENTS IN PERCEPTUAL PROCESSES ADVANCES IN PSYCHOLOGY 88 Editors: G. E. STELMACH P. A. VROON - NORTH-HOLLAND AMSTERDAM LONDON NEW YORK TOKYO THE ROLE OF EYE MOVEMENTS IN PERCEPTUAL PROCESSES Eugene CHEKALUK Cumher~landCollege of Health Sciences The Univer.sity qf Sydney Lidcombe, N.S.W., Amstraiia Keith LLEWELLYN Department of Psychology University of New South Wales Kensington, N.S.W., Australia 1992 NORTH-HOLLAND AMSTERDAM LONDON NEW YORK TOKYO NORTH-HOLLAND ELSEVIER SCIENCE PUBLISHERS B.V. Sara Burgerhartatraat 25 P.O. Box 21 I , 1000 AE Amsterdam, The Netherlands L i b r a r y o f C o n g r e s s Cataloglng-in-Publication D a t a The R o l e of e y e movements i n p e r c e p t u a l p r o c e s s e s / e d i t e d by Eugene Chekaluk. K e i t h L l e w e l l y n . cm. -- ( A d v a n c e s i n p s y c h o l o g y ; 88) p. I n c l u d e s b i b l i o g r a p h i c a l r e f e r e n c e s and i n d e x . ISBN 0-444-89005-X 1 . Eye--Movements. 2. V i s u a l p e r c e p t i o n . I . C h e k a l u k . Eugene. 11. L l e w e l l y n . K e i t h . 111. S e r i e s : Advances I n p s y c h o l o g y (Amsterdam. N e t h e r l a n d s ) ; 88. [DNLM: 1 . Eye Movements--physiology. 2. V i s u a l P e r c e p t i o n . W1 AD798L v . 8 8 / WW 1 0 5 R7451 0P477.5.R65 1992 152.14--dc20 DNLMIDLC f o r L i b r a r y o f Congress 92- 13138 CIP ISBN: 0 444 89005 X 1992 ELSEVIER SCIENCE PUBLISHERS B.V. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher, Elsevier Science Publishers B.V., Copyright & Permissions Department, P.O. Box 521, 1000 AM Amsterdam, The Netherlands. Special regulations for readers in the U.S.A. - This publication has been registered with the Copyright Clearance Center Inc. (CCC), Salem, Massachusetts. Information can be obtained from the CCC about conditions under which photocopies of parts of this publication may be made in the U.S.A. All other copyright questions, including photocopying outside of the U.S.A., should be referred to the copyright owner, Elsevier Science Publishers B.V., unless otherwise specified. No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. Printed in The Netherlands V PREFACE It has become a truism that the frozen optical diagram representation of vision is the worst possible picture of the way in which we visually interact with the environment. Even apart from our reaction to moving targets by pursuit movements, our visual behaviour can be said to be characterised by eye movements. We sample the environment in a series of relatively brief fmtions, moving from one point to anothe