Surrealist Painters And Poets: An Anthology

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In 1951 Robert Motherwell published a collection of writings called The Dada Painters and Poets: An Anthology. Conceived as a sequel to that volume, Surrealist Painters and Poets: An Anthology does for Surrealism what Motherwell's book did for Dadaism. The concept and contents were discussed with Robert Motherwell and met with his enthusiastic approval. The essays, manifestos, poems, and texts in this anthology offer a composite picture of the Surrealists—their convictions, styles, and spirit—from the movement's beginnings in France just after World War I to its second flowering in America after World War II. The book includes writers and artists from Belgium, Chile, Czechoslovakia, Cuba, Egypt, England, France, Germany, Guyana, Italy, Martinique, Mauritius, Mexico, Spain, Switzerland, Senegal, Uruguay, and the United States. Caws's main criterion for inclusion was that the works be the best and most representative of the different forms of Surrealism. Among others, the artists and writers include Andre Breton, Marcel Duchamp and Rrose Selavy, Max Ernst, Mina Loy, Francis Picabia, and Tristan Tzara.

E-Book Content

Surrealist Painters and Poets This page intentionally left blank Surrealist Painters and Poets An Anthology edited by Mary Ann Caws The MIT Press Cambridge, Massachusetts London, England  2001 Mary Ann Caws All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Bembo by Achorn Graphic Services, Inc., and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Surrealist painters and poets: an anthology / edited by Mary Ann Caws. p. cm. Includes bibliographical references and index. ISBN 0-262-03275-9 (hc.: alk. paper) 1. French poetry—20th century—Translations into English. 2. Surrealism—France. 3. Artists’ writings. I. Caws, Mary Ann. PQ1170.E6 S8 2001 700′.41163—dc21 Source notes are found on p. 517. 00-032888 For my children and in memory of Rene´ Char Rene´ Char as a child, with Emilienne, Lily, and Marthe Brun, in Lacoste, 1915. Gift of Rene´ Char to the author. Rene´ Char with Matthew and Hilary Caws, at Les Busclats, L’Isle-sur-Sorgue, 1976. Contents Preface: Surrealist Gathering Acknowledgments M EMOIRS OF xix xxxiii S URREALISM Eileen Agar Am I a Surrealist? 3 Mary Ann Caws Remembering Jacqueline Remembering Andre´ 7 Rene´ Char The Journey Is Done 21 Giorgio de Chirico From The Memoirs of Giorgio de Chirico 25 Rene´ Magritte Lifeline 33 Man Ray At the Beginning of My Career . . . Dadamade 41 Andre´ Masson Painting Is a Wager 47 Philippe Soupault Hymn to Liberty 51 Contents T EXTS Anonymous [Scrutator] Automatic Drawing 59 Guillaume Apollinaire Oneirocriticism 63 Louis Aragon From Paris Peasant 67 From The Fate of La Fontaine 77 Hans Arp Notes from a Diary 85 Fernando Arrabal The Folly Stone 91 Antonin Artaud The Shell and the Clergyman: Film Scenario 95 The Mountain of Signs 101 From ‘‘Van Gogh: The Man Suicided by Society’’ 103 Georges Bataille The Absence of Myth 111 Hans Bellmer What Oozed through the Staircase 115 Yves Bonnefoy The Anti-Plato 117 Kay Boyle A Complaint for M and M 121 Victor Brauner On the Fantastic in Painting 123 v
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