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Did Greek tragedy die along with Euripides? This accessible survey demonstrates that this is far from being the case. In it, thirteen eminent specialists offer, for the first time in English, broad coverage of a little-studied but essential part of the history of Greek tragedy. The book contains in-depth discussions of all available textual evidence (including inscriptions and papyri), but also provides historical perspectives on every aspect of the post-fifth-century history of tragedy. Oft-neglected plays, such as Rhesus, Alexandra, and Exagōgē (the only surviving Biblical tragedy), are studied alongside such topics as the expansion of Greek tragedy beyond Athens, theatre performance, music and dance, society and politics, as well as the reception of Greek tragedy in the Second Sophistic and in Late Antiquity, and the importance of ancient scholarship in the transmission of Greek tragic texts.
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GREEK TRAGEDY AFTER THE FIFTH CENTURY
Did Greek tragedy die along with Euripides? This accessible survey demonstrates that this is far from being the case. In it, thirteen eminent specialists offer, for the first time in English, broad coverage of a little studied but essential part of the history of Greek tragedy. The book contains in depth discussions of all available textual evi dence (including inscriptions and papyri), but also provides historical perspectives on every aspect of the post fifth century history of tragedy. Oft neglected plays, such as Rhesus, Alexandra, and Exagōgē (the only surviving Biblical tragedy), are studied alongside such topics as the expansion of Greek tragedy beyond Athens, theatre perform ance, music and dance, society and politics, as well as the reception of Greek tragedy in the Second Sophistic and in Late Antiquity, and the importance of ancient scholarship in the transmission of Greek tragic texts. is Professor of Ancient Theatre and Its Reception at the Open University of Cyprus. His latest book is A Commentary on the Rhesus Attributed to Euripides (). He is currently coediting Adapting Greek Tragedy for Cambridge University Press and writing a new commentary on Aeschylus’ Seven against Thebes.
VAYOS LIAPIS
ANTONIS K. PETRIDES
is Associate Professor of Classics at the Open University of Cyprus. He is the author of Menander, New Comedy and the Visual (Cambridge, ) and the coeditor of New Perspectives on Post-Classical Comedy (). He is currently preparing a new critical edition and commentary on Menander’s Dyskolos.
GREEK TRAGEDY AFTER THE FIFTH CENTURY A Survey from ca. to ca. VAYOS LIAPIS Open University of Cyprus
ANTONIS K. PETRIDES Open University of Cyprus
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