The Iconography Of Nepalese Buddhism

P  H A  N I C-  ZDH / T A P P  H A  N / M, T P. O. B N: , K, N e of Nepalese Buddhism  M B S A  A Min Bahadur Shakya is a scholar of Newar and Tibetan Buddhism. Among his major publications are  hort istory of uddhism in epal, . ntroduction to uddhist onasteries of athmandu alley, . He was elected Vice President of World Fellowship of Buddhist Youth WFBY for the years –. His major research work on ife and ontribution of epalese rincess hrikuti evi is shortly forthcoming. Mr. Shakya was nominated by Venerable Master Hsing Yun, Fokuang Shan, Taiwan as Research Associate in Fokuang Shan Chinese Buddhist Research Academy for the years –. In , he was granted a SAARC Fellowship (Buddhist Studies) by the Ministry of Foreign Affairs, impu, Bhutan. Currently he is working as the Chief Editor of uddhist imalaya, a bi-annual journal dealing with Buddhism in the Himalayan regions. He has also contributed more a dozen research papers in reputed foreign journals. Since , he is teaching in Engineering Institute, Pulchowk Campus, Lalitpur. Presently he is the Director, Nagarjuna Institute of Exact Methods. F Under the definition of andicrafts there are multiple products. Of them the statues of gods and goddesses of Buddhism and Hinduism stand foremost.eir importance is enhanced not only because of the fact that they are hand made but also that they are made by using meticulously time-consuming traditional tech- v niques: Lost Wax Process, Chiselling, antique finishing and so on. It has been long felt by craftsmen, dealers, colle