Art After Conceptual Art (generali Foundation Collection)

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Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art.Distributed for the Generali Foundation, Vienna

E-Book Content

TABLE OF CONTENTS Art After Conceptual Art edited by Alexander A!berro and Sabeth Buchmann Dietrich Karner Foreword 9 13 Generali Foundation Collection Series edited by Sabine Breilwieser Sabine Breitwieser Series Editor's Note Alexander Alberro Introduction: The Way Out is the Way In Part L After Conceptual Art foe Generali Foundation Vienna, Austria [email protected] http://foundation .generali.at ISBN: 3-901107-50-9 27 Benjamin H. D. Buchloh Allegorical Procedures: Appropriation 53 Thomas Crow Unwritten Histories of Conceptual Art 67 Helen Molesworth House Work and Art Work s7 Ricardo Basbaum Within the Organic Line and After and Montage in Contemporary Art Text edited by Gudrun Ratzinger Copy edited by Lisa Rosenblatt Produced by Julia Heine Photo edited by Iris Ranzinger, Julia Seyr Designed by Andreas Pawlik (AD), Stephan Pfeffer Paper: Munken Premium Cream, Munken Pure Typeface: Saban, Neue Helvetica Total Production: General! Foundation Printed and bound in Austria Part II. Dismantling Binaries 101 Luiza Nader Language, Reality, Irony: The Art Books of Jarosfaw Kozfowski 119 Isabelle Graw Conceptual Expression: On Conceptual Gestures in Allegedly Expressive Painting, Traces of Expression in Proto-Conceptual Works, and the Significance of Artistic Procedures Library of Congress Cataloging-in-Publication Data Art After Conceptual Art I edited by Alexander Alberro and Sabeth Buchmann. p. em Includes bibliographical references and index. ISBN-13: 978-0-262-51195-7 (pbk.: alk. paper) !SBN-10: 0-262-51195-9 (pbk.: alk. paper) 1. Conceptual art. 2. Conceptual art-Influence. I. Alberro, Alexander. II. Buchmann, Sabeth. N6494.C63A735 2006 709.04'075-dc22 135 Gregor Stemmrich Heterotopias of the Cinematographic: Institutional 1s1 Helmut Draxler Letting Loos(e): Institutional Critique and Design Critique and Cinema in the Art of Michael Asher and Dan Graham P-art III. Post-, Nco-, and New Genre Conceptual Art 163 2006044881 The MIT Press Cambridge, Massachusetts Lond
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